Bernini: Sculpting in Clay

Bernini: Sculpting in Clay argues for the centrality of modeling in clay to Gian Lorenzo Bernini’s total conception of sculpture (also reviewed here in caa.reviews), ranging from the placement of one or more bodies and their limbs in space, down to the treatment of folds of drapery, locks of hair, and the articulation of the elasticity of flesh—regardless of whether the intended sculptures were to be cast in bronze, carved from marble or travertine, or modeled in stucco. Bernini sought to

Lessons from Bernini, Index Magazine

Museum Swap: Bernini - Fort Worth Weekly

Bernini Sculpting In Clay

Nationalmuseum's latest sculpture acquisition: a detailed clay snapshot

Bernini: Sculpting in Clay - Fort Worth Magazine

Bernini: He Had the Touch, Ingrid D. Rowland

Clay Conversation

Angel with the Superscription

Etruscan Art in The Metropolitan Museum of Art by Richard de Puma, PDF, Etruscan Civilization

Bernini: Sculpting in Clay - Fort Worth Magazine

Bernini: Sculpting in Clay ベルニーニ：粘土での彫刻 - OTOGUSU Shop オトグス・ショップ

WORKSHOP OF GIANLORENZO BERNINI (1598-1680) ITALIAN, ROME, LAST QUARTER 17TH CENTURY, THE BLESSED LUDOVICA ALBERTONI, Master Paintings & Sculpture Day Sale, 2019